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Action Reaction, by Robert van Overveld.
First of all, the
relationships
you have with those who teach you - may that be your parents, your neighbour, or in this case, a schoolteacher – is an age-old concept that is always subject to change.
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As the Wind Rises and Falls, by Tuyen Le.
With such a tight knitted
relationship
that this country has for wind, the 2000s era has cultivated the wind into energy, and technology no longer evoke the same feelings as the friendly windmill, but rather, aliens in the empty fields, blank obstructions
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Dreamed cities as neurodivergent cities, by Oliwia Jackowska.
With these two notions considered, by and large, Jung was interested in using his patients' dreams to map out the
relationship
of their. psyche. to this wider context of. the collective unconscious. , hence understanding what is an individual's position
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Bnieuws edition 54/02. Published October 2020.
Many of us have a problematic
relationship
with change. There are times that we want to change, let's say when we try to turn frequently exercising into a habit, and fail. Other times, change is forced upon us, and we have hard times accepting it.
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Your teacher and you, by Robert van Overveld.
The problem with this teacher-student
relationship
is that it is unequal. On a professional level, that is understandable; the teacher has more experience than you. On an emotional level, it leads to complications.
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Brexit and British Architecture, by Amy Young.
There is an underlying
relationship
between politics and the practice of architecture. Politics influences culture, economics, trade, ideals, business and current affairs, and each of these in turn has an effect on proposed design solutions.
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The Art of Disconnect: A Manifesto for Inefficiency, by Jessica Kuurstra.
We bring capitalism in
relationships
. In the past, romance was out of the equation. Monogamy was an economic system imposed on women that determined which children to feed and which received inheritance.
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Cheap Absurdity, by Oliwia Jackowska.
We create
relationships
with the spaces of our home, office, school, shop or… rooftop and understand how we position ourselves within them.
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Titanium White, by Zuzanna Sliwinska.
At the same time, why are we so obsessed with originals condemning the masters of copy-making and what does it reveal about our
relationship
with art?
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Promoting a positive Relation-to-Self through Recognition in Architectural Design, by Jeremy Hill.
Consequently, architectural expressions – through the distanced
relationship
between the architect and the user or passer-by of their work – will almost never be able to adequately express a unique recognition of the needs and desires of the user or passer-by
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Space syntax as urban design tool, by Jack Pilkington.
Space syntax is used to measure
relationships
in an urban environment. The two primary measures are: ‘to movement potential’ between street segments and ‘through movement potential’ of street segments with respect to each other.
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What Are You Reading Right Now? The Big Oyster: History on the Half Shell, by Hilde Sennema.
The oyster remains a symbol of New York’s
relationship
with the water, and its filtering qualities are being revalued in several oyster centered projects.
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What are you reading right now? The Zen of Climbing, by Casper van Engelenburg.
If you are an active sportsperson and want to understand the
relationship
between your body and your mind, I would highly recommend reading it.
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What Are You Watching Right Now? Oppenheimer, by Tuyen Le, Nathan Döding, Maja Liro.
While it is based on a man’s true life and historical events, Nolan could not compose every problematic nuance of Oppenheimer’s private
relationship
within the three-hour runtime.
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Interview: Dick van Gameren, by Aimee Baars, Jan Pruszyński and Chun Kit "CK" Wong.
Aimee: I have positively experienced an increase in educational time throughout my study program, since I transferred from Utrecht University where generally the master-pupil
relationship
was very one-sided, scarce and anonymous.
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Writing Urban Places, by Nicole van Roij.
Klaske Havik aims to create an understanding of the
relationship
between researching narratives and design practices.
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Bnieuws edition 57/02. Published January 2024.
In it, the prisoner portrays our
relationship
to these boundaries, ourcomfort with staying in line, and the importance of deviating.
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Manifesting, by Jonas Althuis.
The most important aspects of a process are time,
relationship
and change. The process produces formations rather than forms. Conditional Design: A Manifesto for Artists and Designers. , Luna Maurer, Edo Paulus, Jonathan Puckey, Roel Wouters, 2008.
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Inscribing Spaces, by Chun Kit "CK" Wong.
His proposal reveals the inherent
relationship
of spatial design with the environment, attempting to even account for a fragment of ecology displaced (vegetation in this case), which is different from viewing the architecture as an isolated object in
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High and Low, by Alessandro Rognoni.
From Jil Sander x Uniqlo to Dior x Nike, from Tiffany x Supreme to Versace x H&M, collaborations between high and low fashion are crucial to contemporary
relationships
between brands and the public.
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Comfort in chaos, by Nathan Döding.
Our
relationship
withplanning has unintended results: waste of space, uniformity, sham safety, dead zones, the death of spontaneity and encounter. We plan because we can. If you have the chance to make something better, you do.
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BOOP IT, by Jonathan Kaye.
This analysis requires interpretation of the architecture’s
relationship
to its context, its position in physical and societal space, as well as internal and external connections to facilitate user satisfaction.
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The daily digital life, by Robert van Overveld.
Slowly developing a healthy
relationship
with the millions of impulses we face every day. * Nadler, R. (2020). Understanding “Zoom fatigue”: Theorizing spatial dynamics as third skins in computer-mediated communication.
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Anatomy of the Dream, by Jonathan Kaye.
The components of Soporific dreams have a
relationship
to our lived experience. The feelings evoked and images “seen” are necessarily based on the people, places, and experiences our brains have previously encountered.
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Art Outside The Box, by Christopher Clarkson.
Not only that, it challenged the
relationship
between art, reality, and the gallery as a kind of mediator. It seemed to pose the following: Put reality into a gallery, and it becomes art.
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