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Collective Trauma - War and Humour , by Oliwia Jackowska.
Collective
Trauma - War and Humour. Words. Oliwia Jackowska. It was April 4th 1960. The realm of the Polish cinematic art scene became divided in how to represent the nation’s painful recent history.
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Where is..., by The Datum Collective.
The Datum
Collective
. As we were invited to write for Bnieuws, at the TU Delft on the topic of Where, as a
collective
we found ourselves speculating on the situational qualities of questions of where.
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Where am I?, by Inez Margaux Van Oeveren.
I hope to spark curiosity and reflection on how the built environment shapes our
collective
identity. By Inez Van Oeveren. Return to top ↑. More. from. Where? Links. Interested in becoming a. Pen Pal? Bnieuws. Instagram →. Facebook →. Issuu →.
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Blog: Mar 01, 2022
With contributions from Matt Roberts, Ugne Koelewijn, Ksenija Onufrijeva, The Datum
Collective
within, this edition asks the question of "where?" Where are we? Where do we want to go? Where in time?
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In the Face of Adversity, by Su Müstecaplıoğlu and Saartje Nibbering.
The scenes of suffering have stirred intersensitivity among people worldwide, leading to an outpouring of
collective
grief and compassion. Communities have rallied to provide aid and support to those affected.
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Does Architecture Really Have a Gender?, by BLOB & Jack Oliver Petch (introduction) .
On the 10th of May 2019 a
collection
of students created a series of disruptive performances under the moniker ‘BLOB’.
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Smooth City, by René Boer.
Smooth City: Against Urban Perfection, Towards
Collective
Alternatives. , a timely reflection at a moment when our cities must remain open to friction and discomfort. From. Smooth City: Against Urban Perfection, Towards
Collective
Alternatives.
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Bnieuws edition 54/01. Published September 2020.
The theme of this particular edition is a bit of a puzzle, because it is actually a
collection
of works that are being republished. Unfortunately, due to corona, the previous three editions could not be printed hard-copy. However!
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The Garden of the Meanwhile: An Architectural Fiction, by Stefan Gzyl.
Reflecting on an episode of loss and expulsion, this story invites us to imagine alternate endings where architecture carries on into the future, preserving
collective
memory against the violence of a disenchanted world. 1. Evocative objects.
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Dreamed cities as neurodivergent cities, by Oliwia Jackowska.
He explored the idea of. the
collective
unconscious. , being a set of “default” mental concepts that are at the base of society and include instincts and archetypes that are inherent to being a human.
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Back to the cinema. Please. , by Alessandro Rognoni.
Urban participation, quoting film critic Devika Girish, shares in fact the same paradox of “
collective
solitude” with the moviegoing experience, where urban dwellers find themselves in an exciting state of perpetual loneliness in which they practice the
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Magic / Tragic, by Joey Lageschaar.
BOG. is a Netherlands-based theater
collective
that provides 'uncompromising, idiosyncratic and open theatre for today's seekers'.
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The Archetypal Bias of Scale Figures Catalogs, by Romain Touron.
To address the harmful anonymity of scale figure catalogs, design
collectives
like. Hipotesis. cast a spotlight on marginalized individuals, depicting people like an obese influencer referred to as Berta.
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Thoughts on Green, by Valentin Zech.
Colour is about
collective
memory, about emotional associations. A single colour can mean countless different things depending on its context and our brains are extremely quick in decoding that underlying meaning.
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Abandoned Lounge, by Christopher Clarkson.
that have taken place while they sheltered you … And then acknowledge the fact that your story with any particular chair is not necessarily only your story but one you share with many people, in which case, really the chair is the protagonist of our
collective
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Letting Go Of Enemies In Architecture, by Kevin Lai.
Edited by the
collective
MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies of Books includes newly commissioned essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines, Ulla Wikander and conversations with former typesetters Inger
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Bkino X Community Office Presents: Film Festival Good, Bad, And In-Between, by Cecile Calis.
It's the whole atmosphere, the
collective
break from reality that you take together with strangers and friends. It's the conversations about movies, the questions you can ask directors or actors. It's running from movie to movie.
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Traces of War, by Jan Pruszyński.
This rhetoric extends the conflict from over 20 years ago to the present and maintains the
collective
ethnic trauma.
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Green & Pleasant Land, by Sam Eadington.
I think, that individual students are keen to address the diverse challenges faced by contemporary society, but it would be encouraging to see this expressed on a more
collective
level.
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Rau muống, nostalgia, and war, by Tuyen Le, Mary Le.
Nhà sàn
collective
and bà bầu air, Hanoi-based art
collectives
, hosted my stay at their queer guesthouse called ưh ưh 22 for a duration of five days.
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Bnieuws edition 53/06. Published May 2020.
As our
collective
academic home of BK City has also closed, Aimee’s interview with Michael van der Tas gives insight into the preparations of the building readying itself to welcome her new residents in the coming academic year on page 03.
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Bnieuws edition 55/03. Published February 2022.
Matt Roberts, Ugne Koelewijn, Ksenija Onufrijeva, The Datum
Collective
, Ron Barten. Cover design by. Inez Margaux Van Oeveren. Editorial. Welcome to here!
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Bnieuws edition 56/05. Published May 2023.
This distraction makes way for fragments of our
collective
consciousness slip through the cracks. Thus, information is manipulated and history is distorted in favor of the winning side.
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By Product, Reversibility, Tangible and Intangible Longevity , by Anouk Fontaine.
With these topics arise other questions revolving around the sense of
collective
memory, restoration, transformation, and heritage management.
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Jargon, by Sam Eadington.
Jonathan Meades will, unlike our faculty, make you ask questions about our
collective
complicity in the fraud that is architecture speak.
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