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Cheap or Priceless?, by Ksenija Onufrijeva.
Exhibition
Točka, Sarkandaugava, Rīga, 2020. Photo by Ksenija Onufrijeva.
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Her Drawing, by Alessandro Rognoni & Oliwia Jackowska.
Nonetheless, such precision comes to the surface in the
exhibition
, which offers the possibility to compare histories, as well as to learn from them. Writing women's history - a review.
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What's Going On? Venice, by Oliver Petch and Elena Rossoni.
Whilst I am an avid fan of traveling, I’ve never visited the city nor the
exhibition
before.
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Blog: Oct 01, 2021
exhibition
that took place in the orange hall of the faculty in September.
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The Perfect Fit, by Sem Verwey.
Words and
Exhibition
. Sem Verwey. By no means does this installation display the perfect chair.
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From Urgency to Action, by The Syrian Turkish Architectural Recovery Team.
Words and
Exhibition
. The Syrian Turkish Architectural Recovery Team. Intersenitivity. ‘‘Our initiative has START-ed with strong intentions.
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Missed Takes on Gender in Architecture, by Julia Korpacka.
I recently took the liberty to temporarily modify a part of an
exhibition
organised at our faculty. This is a reflection on why I did it and what I learned from this about uninvited practice.
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Everyday, Listening, by Maja Liro.
Words and
Exhibition
. Maja Liro. The tilted windows on the ground floor, though covered with dark, heavy curtains, let in excited chatter and loud laughter from students heading to their morning classes.
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Feel What You See , by Emilie Stecher.
Words and
Exhibition
. Emilie Stecher. How can you feel a place when you can only see it?
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Bnieuws edition 56/04. Published April 2023.
Discover six unique installations dedicated to each sense during the BK City
exhibition
. The walk begins at the east entrance and features installations such as "A whiff of. " by Tuyen Le, which uses scents to bring visitors back to certain places.
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The Bitter the Better, by Zuza Sliwinska.
Words and
Exhibition
. Zuza Sliwinska. Making your way through the teeming streets of Hong Kong, you will bump into aunties and uncles sipping on a rather smelly beverage on the doorstep of the local leung cha (cantonese for cold tea) shop.
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Bnieuws edition 55/05. Published June 2022.
To start things off is a reflection (pg. 4) on the Women in Architecture
exhibition
by Julia Korpacka, the person who hacked the display with her own interpretation of what the
exhibition
could have been.
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Art Outside The Box, by Christopher Clarkson.
Minus20degree is a contemporary art and architecture
exhibition
and is now looking for artists in the field of sound art, videoart, performance, theater, installation, or dynamic land art for the 2024 edition.
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In the Face of Adversity, by Su Müstecaplıoğlu and Saartje Nibbering.
Words and
Exhibition
. Su Müstecaplıoğlu and Saartje Nibbering. Intersensitivity. “I feel guilty and powerless being here in the Netherlands while my home country is going through such devastating earthquakes,” Su said.
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A Whiff Off ..., by Tuyen Le.
Words and
Exhibition
. Tuyen Le. Smell. At the central point of our face, we find the nostrils, bridge, ala, apex, and root of our nose. The sense of smell, or olfaction, is the ability to detect and identify odors in the environment.
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Never Been Built, by Aimee Baars.
In 1955 the
exhibition
E55 was opened. It was a manifesto titled, The Rebuilding of a Destroyed City, and the Will to Overcome Difficulties.
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Venice Biennale: Greek Pavilion, by Xristina Argyros and Elena Rossoni.
The title of the
exhibition
, ‘The School of Athens’, is a direct reference to Raphael’s fresco. And while it’s a Renaissance masterpiece, both the space and ideals it represents are in turn referencing ancient Greece.
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Interview: MOR, by Aimee Baars & Nienke Scheenart.
The opening of the public
exhibition
was July 12th, and the results were announced July 28th. We finished 2nd which was a huge honour and achievement.
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Bnieuws edition 56/03. Published January 2023.
Did you hear about the newest
exhibition
in the Eye Filmmuseum (p.2)? If the delivery of your project rests too heavily on your mind, treat yourself to a visual journey through the complex, layered culture of Central Asia.
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Who do we Design For?, by Jan Pruszynski.
One of the places we have visited was Geert Bakaert called also deSingel, where an
exhibition
on Léon Stynen, the building’s architect, was taking place.
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Writing on the Wall, by Federico Ruiz.
The wall will be used for “
exhibition
of student work […] and also to show more of the collections that are still present in the library, of maps and prints that nobody knows,” together with “some space to show a bit more about our faculty, its history
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By Product, Reversibility, Tangible and Intangible Longevity , by Anouk Fontaine.
Many offices and architects focus their work on such topics: RAAAF unfolded the issues of vacant housing with Vacant NL, and Alejandro Aravena used the waste from the previous
exhibition
for the display at the 2016 Venice Biennale.
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Abandoned Lounge, by Christopher Clarkson.
chairs are not left alone to fade away in the urban fabric of the street, or slowly die in a Turkish breeze, nor may they be used as chairs to sit on; they are preserved in time, carrying only the memories of who they were before they became objects of
exhibition
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Living in safe mode: In conversation with Theo Deutinger, by Marco Fusco and Matthew Cook.
An
exhibition
of the results, entitled “Safe New World,” is currently on display in the Department of Architecture. Prior to this intensive fortnight, we had the opportunity to speak with Theo Deutinger.
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Olympic Architects, by Edgars Jane.
of the 1936 Olympic Art competition, Reich Minister of propaganda Joseph Goebbels reminded his audience that each work entered in the competition was required to have been created within the last four years, which then “enables us to derive from the
Exhibition
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