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Post-Post Post, by Night(s) of Philosophy.
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-
Post
Post
. Words. Night(s) of Philosophy. As Night(s) of Philosophy, a working group of ARGUS, the Architecture Masters student association, this year we concern ourselves with questions of the
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-anthropocene.
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The Formal Basis of Post-modern Joke Design (of Design Jokes), by Editorial team.
The Formal Basis of
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-modern Joke Design (of Design Jokes). Words. Editorial team. Joke design is a historical, multidisciplinary, and interstitial practice. As such, it is (a priori) embedded in our understanding of the world as a joke.
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Brexit and British Architecture, by Amy Young.
In a
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-Brexit society, there is expected to be both physical and non-physical implications for architecture and design. Physically, architecture has always had a close relationship to politics.
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Hope on water, by Sevince Bayrak.
The main objective of the almost absurd image of a
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-disaster living unit, sailing on the water, was to take attention to one point. Why do we have to build
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-disaster housing on water?
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Cheap Queens and Real Queens, by Minh Anh Nguyen.
But in recent years, we’ve moved towards an era of
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-ironic aesthetics – which I would define as “looking cheap, but with intention.”
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The Dutch Factor, by Federico Ruiz.
Nonetheless, I believe that
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-master programs are an interesting option to be explored. Their admission process, which focuses on the actual experience of students, could be open for high-level Dutch and European bachelor students.
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Haunted Landscapes, by Maja Liro.
The structure and shape of
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-war Warsaw includes contradictions that make cohabitation of the ruins seem impossible at first.
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Cheap or Priceless?, by Ksenija Onufrijeva.
The historical context of the sites start a dialogue with the exposed artworks and allows visitors to jump back in time to reinforce the issues addressed by the exhibitions, such as the dissonance between generations and the changing
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-socialist society
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A Dream About Action, by Emilie Stecher.
And go from a human perspective to a
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-human or more-than-human future. Many questions arise from this view for example how can we give voice to and design for nonhumans?
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Bnieuws edition 52/03. Published February 2019.
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the winter break, it is fair to say that we’ve all been dealing with deadlines and dodging responsibilities when sprinting to the finish line.
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The Freedoms of Suburbia, by Amy Young.
During the
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-war period it seems that those living the suburban dream were content and fulfilled by the life the suburbs could offer them; the safety, community and predictability.
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What if normal is dead?, by Chun Kit "CK" Wong.
Even in a
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-Fordism economy today, such linear workflows and rigid operations are still being implemented. Technological advancements and a more fluid understanding of the workplace, the spatial responses to offices have become more versatile.
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I Feel Out of Place, by Tuyen Le.
Thus, the issue of diversity dawns upon them only
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-rendering, resulting in situations where there is zero people of colour in a scene.
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Shit it out for a Diploma, by Oliwia Jackowska .
Last year has seen a record number of graduating students
postponing
the finish their of master degree's diploma at TU Delft Faculty of Architecture & the Built Environment.
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What Are You Reading Right Now? The Big Oyster: History on the Half Shell, by Hilde Sennema.
After working in the field of urban planning and heritage, she is now finishing her PhD on
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-war reconstruction in port cities at the Erasmus University Rotterdam.
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Book Review: Being Ecological, by Amy Young.
In light of the current pandemic, the term ‘
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-COVID’ world has cropped up again and again within the architecture community.
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Soviet Dreams, by Jānis Bērziņš.
Postcard
from 1960s, praising the new life in standartized neighborhoods. This story is familiar to millions of people from
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-soviet countries because it is the plot of a TV Mini-series called.
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Shooting at the Verge, by Alessandro Rognoni.
Later she would be rescued by the inhabitants of the wasteland or, in other words, the southern outskirts of
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-war Rome.
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Woe Is Me, Once a Prize, Now... A Pariah, by Tuyen Le.
Dejima was an artificial island off of Nagasaki, Japan, a unique trading
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for the Portuguese and, subsequently, the Dutch (1641-1854).
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The Hot and Cold of Disseminating, by Tuyen Le.
Entering the digital space of criticism one must recognize the
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-ironic energy that encapsulates the platform. Surprisingly, embracing the flaws and exposing the mediocre aspects of architecture can be quite educational.
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Camera!, by Robert van Overveld.
The cameras are connected to a central security
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, and in case someone violates the distance rules, a guard is sent to make sure that the distance is indeed maintained.
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Collective Trauma - War and Humour , by Oliwia Jackowska.
Clumsy, unsuccessfully conformist, but most of all unlucky Jan Piszczek goes through different periods of his life, which spread through the 1930s, the war period and the
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-war aftermath.
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A Lack of Exposure, by Alessandro Rognoni.
They lack
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-production, appear stale, and somehow bi-dimensional. They seem impassive to the architecture they portray, but despite all, they are effective in mysterious ways. Lastly, they all show up in the same, inexplicable light blue.
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Homo Urbanus: In Conversation with Bêka & Lemoine, by Juan Benavides & Jack Garay Arauzo.
Ila Bêka: At the same time, I'm not seeing a very big difference between the pre-pandemic and the
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-pandemic in the sense of proximity.
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The Art of the Commute, by Alessandro Rognoni.
Then that will be it: everyone on the bus with an arm under their armpits, and the other holding their devices; a bad
posture
to hold for 45 minutes of your day.
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