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A Dream About Action, by Emilie Stecher.
Who gives us
humans
the right to exploit the planet, ravage its resources, contaminate its rivers, kill and extinct its inhabitants and still talk of ourselves as being a higher being?
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Post-Post Post, by Night(s) of Philosophy.
Post
-
Post
Post
. Words. Night(s) of Philosophy. As Night(s) of Philosophy, a working group of ARGUS, the Architecture Masters student association, this year we concern ourselves with questions of the
post
-anthropocene.
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As the Wind Rises and Falls, by Tuyen Le.
While they hold virtually no meaningful cultural values, can we still
humanise
the industrial wind turbines? Can we care for them as part of the modern relationship that the Netherlands associates with wind as it rises and falls?
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The Formal Basis of Post-modern Joke Design (of Design Jokes), by Editorial team.
The Formal Basis of
Post
-modern Joke Design (of Design Jokes). Words. Editorial team. Joke design is a historical, multidisciplinary, and interstitial practice. As such, it is (a priori) embedded in our understanding of the world as a joke.
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The Society of Unveiling, by Maja Liro.
Transparency makes
humans
glassy, constituting to the tension between the factors of seeing and being seen. Presence and absence, hiding and being exposed, are presented through a series of short reflections. Act 1: Curtain Opening.
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Freddie Portrayed, by Elena Rossoni.
If their argument for creating a more ‘family friendly movie’ is to censor Freddie and
humanise
his character, why hide an important part of his life from the public? And after all, why would this be a reason to ‘ruin’ the band’s legacy?
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Brexit and British Architecture, by Amy Young.
In a
post
-Brexit society, there is expected to be both physical and non-physical implications for architecture and design. Physically, architecture has always had a close relationship to politics.
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Nah That Won't Happen Here Again, by Nathan Döding.
Surely no global power would dare to go to war against the West that thrives economically and produces immense amounts of plastic straws, CO2 and atrocities against
humanity
. Wait what? Hypocrisy.
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Hope on water, by Sevince Bayrak.
The main objective of the almost absurd image of a
post
-disaster living unit, sailing on the water, was to take attention to one point. Why do we have to build
post
-disaster housing on water?
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Cheap Queens and Real Queens, by Minh Anh Nguyen.
But in recent years, we’ve moved towards an era of
post
-ironic aesthetics – which I would define as “looking cheap, but with intention.”
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Cheap or Priceless?, by Ksenija Onufrijeva.
The historical context of the sites start a dialogue with the exposed artworks and allows visitors to jump back in time to reinforce the issues addressed by the exhibitions, such as the dissonance between generations and the changing
post
-socialist society
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Haunted Landscapes, by Maja Liro.
The structure and shape of
post
-war Warsaw includes contradictions that make cohabitation of the ruins seem impossible at first.
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The Dutch Factor, by Federico Ruiz.
Nonetheless, I believe that
post
-master programs are an interesting option to be explored. Their admission process, which focuses on the actual experience of students, could be open for high-level Dutch and European bachelor students.
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See the latest from Bnieuws.
See all blog
posts
→. Return to top ↑. Links. Interested in becoming a. Pen Pal? Bnieuws. Instagram →. Facebook →. Issuu →. Julianalaan 134. 2628 BL Delft. Navigation. About Bnieuws →. Contact us →. Visit our Archive →. Pen Pals →. Link-in-bio →.
…
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See the latest from Bnieuws.
See all blog
posts
→. Return to top ↑. Links. Interested in becoming a. Pen Pal? Bnieuws. Instagram →. Facebook →. Issuu →. Julianalaan 134. 2628 BL Delft. Navigation. About Bnieuws →. Contact us →. Visit our Archive →. Pen Pals →. Link-in-bio →.
…
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Bnieuws edition 52/03. Published February 2019.
Post
the winter break, it is fair to say that we’ve all been dealing with deadlines and dodging responsibilities when sprinting to the finish line.
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I Feel Out of Place, by Tuyen Le.
Every single built space we have is operated or inhabited by
humans
. Heck, you are probably reading this comfortably inside a well-lit building.
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Shit it out for a Diploma, by Oliwia Jackowska .
Others, unprepared for the
post
-academic life, extend their time at the university, and try to find the. true and only. path to the. total perfection. of their graduation projects.
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The Freedoms of Suburbia, by Amy Young.
During the
post
-war period it seems that those living the suburban dream were content and fulfilled by the life the suburbs could offer them; the safety, community and predictability.
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What if normal is dead?, by Chun Kit "CK" Wong.
Even in a
post
-Fordism economy today, such linear workflows and rigid operations are still being implemented. Technological advancements and a more fluid understanding of the workplace, the spatial responses to offices have become more versatile.
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What Are You Reading Right Now? The Big Oyster: History on the Half Shell, by Hilde Sennema.
Microhistories show that the existing Grand Stories about Great Men are entangled with “smaller” stories of a much more diverse set of
humans
, animals and things.
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Book Review: Being Ecological, by Amy Young.
In light of the current pandemic, the term ‘
post
-COVID’ world has cropped up again and again within the architecture community.
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Soviet Dreams, by Jānis Bērziņš.
This story is familiar to millions of people from
post
-soviet countries because it is the plot of a TV Mini-series called. The Irony of Fate (Ирония судьбы, или С лёгким паром). by director Eldar Ryazanov, first aired on January 1, 1976.
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Shooting at the Verge, by Alessandro Rognoni.
Later she would be rescued by the inhabitants of the wasteland or, in other words, the southern outskirts of
post
-war Rome.
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Woe Is Me, Once a Prize, Now... A Pariah, by Tuyen Le.
Dejima was an artificial island off of Nagasaki, Japan, a unique trading
post
for the Portuguese and, subsequently, the Dutch (1641-1854).
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