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I Feel Out of Place, by Tuyen Le.
The turning point of today’s architectural
representation
stemmed from the modernist perception of the human-building relationship.
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Homo Urbanus: In Conversation with Bêka & Lemoine, by Juan Benavides & Jack Garay Arauzo.
Following Bêka & Lemoine’s remote lecture “Homo Urbanus,” part of this semester’s Berlage Keynotes, they took a moment to speak with us, reflecting on their work in the wake of the pandemic, on the moving image as a medium for architectural
representation
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On renders, by Jonas Althuis.
I like to call these ‘sunshine and rainbows’ renders, and I think they are
representative
of the bigger issues of diversity and honesty in the modern architectural field. A digital skeleton in the closet, so to speak.
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The Archetypal Bias of Scale Figures Catalogs, by Romain Touron.
Impulsed in the 1990’s by the escalating popularity of digital features like Blocks on Autocad, the whole western architectural
representation
felt in a Standardization, in both means and ends.
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BOOP IT, by Jonathan Kaye.
As a symbol, buildings are polysemic — a
representation
with the capacity to have multiple meanings. They are simultaneously metonymic, literal, abridged, and comprehensive.
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Artefact: Painting, by @nlkrts.
It is both a
representation
of a particular moment in time as well as a self-investigation. @nlkrts painting set up at home. 1/3 triptych still in process.
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Missed Takes on Gender in Architecture, by Julia Korpacka.
The issues of gender, feminism and
representation
in architecture are immensely important topics and I must say I was happy to see that there is (some) initiative to ‘display and discuss’ these matters among the students and staff at TU Delft Faculty
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Guess the Building, by Stefan Gzyl.
Each paragraph is a generative text, a synthetic
representation
that prefigures a project.
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Does Architecture Really Have a Gender?, by BLOB & Jack Oliver Petch (introduction) .
The outdated value system of TU Delft's Architecture Faculty and the
representation
of a dominant gender in the profession needs to change. This institutional problem is beyond BLOB or even the operation of TU Delft.
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Bnieuws edition 55/03. Published February 2022.
I Feel out of Place. challenges the lack of visual
representation
of the diversity of people in architectural drawings and its harmful consequences. Buckle up, and let us take you away on a journey through this new edition! Contents.
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The Art of Disconnect: A Manifesto for Inefficiency, by Jessica Kuurstra.
Connectivity between humans. via the internet and its
representation
is what I finally want to show. AI for constructing images, can be seen as a way of making collages with perfect edges (Bieg, n.d.).
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Writing on the Wall, by Federico Ruiz.
In terms of gender
representation
, 352 (94%) were men and only 18 (5%) women: of the latest, 13 were Dutch and only two (Zaha Hadid and Ray Eames) were born outside Europe.
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Refugee Republic, by Aimee Baars.
In 2014 four Dutch content creators teamed up to create a digital
representation
of everyday life in a refugee camp.
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The Metaverse: Our New Playground?, by Saartje Nibbering, Bryan Ye.
In architecture, for example, it solves the difficulty of visualizing a notion into a three-dimensional
representation
for the client.
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Misleading Memories, by Ieva Davulyte .
In figure 1, we can see how this type of architecture is all about architectural
representation
, while the
representational
value is totally dependent on the simplest, consumer-friendly beauty standards.
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Bnieuws edition 54/03. Published December 2020.
On Renders. ” questions the culture surrounding realistic renders with ‘perfect environments,’ and the pressure that designers face to “sell” their designs, in spite of the
representation’s
misrepresentation of reality.
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Her Drawing, by Alessandro Rognoni & Oliwia Jackowska.
The exhibition’s primary message is on the inequality of
representation
in recorded history. When we look at an architectural drawing we imagine, almost by default, that it is drawn by a male hand.
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Introspection, by Chun Kit "CK" Wong.
Possibly in the mind of Churchill, the self portrait was meant to be an extension to the things unseen, the symbolic
representation
to his life and his achievements.
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Tracing Archaeology, by Nicole van Roij.
What triggers me most in these movies isthe
representation
of the archaeologist as a handsome, tomb-discovering acrobat.In these movies, the archaeologist is combatting and unveiling the traces ofthe past, reading landscape, object and architecture like
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Space syntax as urban design tool, by Jack Pilkington.
The lines are not merely a
representation
of space but an intrinsic part of our being.
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The Dutch Factor, by Federico Ruiz.
This is reflected in many aspects: the speed at which they can turn concepts into projects, their storytelling capacity, the knowledge they have of how things work outside academia and the level of their
representation
.
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Where the light is strong…, by Christopher Clarkson.
The ultimate portal of the front door at the bottom of the stairs has changed its
representation
of freedom and safe passage from the intimate to the exciting outdoors into a threshold which ought not be trespassed.
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Language and Design Cognition: Toward a theory of Language Based Design, by Christopher Clarkson.
The idea behind this artwork is to make you aware of the fact that you are looking at a
representation
of a pipe, and to say that it is a pipe would in fact be wrong.
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50 Euros for the Pleasures: Sex Workers in Red-light Districts , by Oliwia Jackowska.
An interesting
representation
of a sex-worker-feminist was portrayed in a Netflix series Easy. Sally is a Chicago based writer who also works as an escort to pay her bills.
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Be Naked, Be Healthy, Be Well, by Tuyen Le.
Nudism was no longer a
representation
of mind/body training, but had grown into a eugenics ideology. When the Nazi Regime took over in 1933, they ultimately banned public nudity altogether to eliminate all sorts of mixed-gender immorality.
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