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Bnieuws edition 53/07. Published June 2020.
Despite its inherent untrue nature, fiction has the power to provide respite from the unpleasantries of reality; to support uncanny commentary about the reality of our world; to
touch
us deeply on an emotional level about our fears, prejudices, and biggest
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Feel What You See , by Emilie Stecher.
What happens if there is no sound or smell and you cannot
touch
it? The installation of vision attempts to create a feeling of space without depending on other senses.
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Architectural Misconceptions, by Jan Pruszyński.
Somewhere along the way architecture has lost
touch
with society - architects have created a very elitist perception of their field (even in their own eyes), without ever explaining to the public what they actually do that makes them so elite.
…
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Cleaners of BK, by Karolina Krajčíková & Nathan Döding.
Because GOM is an external company, they are not allowed to
touch
any property that belongs to students. To allow them to wipe the tables anyways, the TU Delft facility team goes around every morning at 6, to remove waste.
…
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The Perfect Fit, by Sem Verwey.
#
touch
. Exhibition: Sem Verwey. Photography: Saartje Nibbering. Model: Sem Verwey. Return to top ↑. More. from. Senses. Links. Interested in becoming a. Pen Pal? Bnieuws. Instagram →. Facebook →. Issuu →. Julianalaan 134. 2628 BL Delft. Navigation.
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Bnieuws edition 56/04. Published April 2023.
What happens if there is no sound or smell and you cannot
touch
it? We rely on our eyes to read clues about our surroundings, yet to understand and connect to the places we navigate; we collect the information using all the other senses too.
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Bnieuws edition 54/01. Published September 2020.
So, please, if you are interested in collaborating with us as a story teller, photographer, illustrator, or as the one who knows how to ask the right questions to the right people, we would love to get in
touch
.
…
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Inside 'Inside' reflections on collapse, by Stefan Gzyl.
The ‘black box’ of technology is represented in the film by a bright and ultimately unresponsive
touch
screen that reveals nothing of the system’s inner workings. As it breaks down, the screen simply displays what it is doing.
…
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Manifesting, by Jonas Althuis.
Few
touch
on the importance and learning to be gained from making mistakes. Perhaps it's considered a given, inherent to design and learning how to design. If nothing about mistakes, what do these manifestoes say?
…
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Four paragraphs and an incipit on my last six months as a BK student, by Amina Chouairi.
Not only was everybody able to join my final presentation, but I also got in
touch
with professors and researchers that were almost not contactable in normal circumstances (due to meetings, conferences, various physical commitments, etc.).
…
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The Metaverse: Our New Playground?, by Saartje Nibbering, Bryan Ye.
We briefly
touch
on the philosophical theory of Metaphysics in our analysis of computer-generated objects, where we define reality and address the question, "What is our position in the universe?".
…
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An Introduction to The Invisible Architect, by Inez Van Oeveren.
Knowing that her works include: the former Ministry of Foreign Affairs, the renovated Paleis Het Loo, and she did the finishing
touch
on renovation of the Koninklijk Museum van Schone Kunsten in Antwerp.
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Bootleg Paradise, by Tuyen Le.
There is always a
touch
of campiness and tackiness to the bootlegging attempt, with wrong colouring, different names, and completely different storylines.
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Bnieuws edition 58/01. Published November 2024.
As designers, we can draw inspiration from a broad array of references, from cinema, literature or biology, from consumer culture or high art, from the sacred to the mundane, and strive to infuse a
touch
of magic into everyday environments.
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The Marble Arch Joke, by Alessandro Rognoni.
Readers that were also recently in
touch
with the British press will know how the pavilion managed to attract criticism from every possible disciplinary angle [1]. With that said, a few things are there to discuss.
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Louder than Words, by Vineet Dhall.
The term overwhelming barely
touches
the surface of what we may consider as first impressions.
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50 Euros for the Pleasures: Sex Workers in Red-light Districts , by Oliwia Jackowska.
She invites the customers to her own apartment and the interactions often show a strong emotional bond, which she builds with the men through conversation and physical
touch
.
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Who do we Design For?, by Jan Pruszynski.
You could almost
touch
the building. To me there was only one thing they lacked - people. I believe it is a problem with a large part of architectural photography. It is as if we love seeing our buildings devoid of people.
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Xiao talks tech, by Federico Ruiz.
Resistance of
touch
, of course, but also of experience: with paper, accidents can happen, things can break, colours can vary unexpectedly. A conflict that is lost in the convenient and predictable world of Silicon Valley.
…
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Explore Lab Fictions, by Camille Billottet, Anne de Zeeuw & Aimee Baars.
But in the experience of contemporary architecture, sight and
touch
prevail and the olfactory dimension of our built environment is often forgotten.
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A subjective take on greenwashing, by Katarzyna Soltysiak and Ecaterina Stefanescu.
In a way, also students having so many things to
touch
upon, simply focus on the formal design. It is often accepted that if a project is good, you can ignore the “sustainability part” or just add a green roof somewhere. and this is not challenged.
…
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Incredible Nottingham, by Dorsa Ghaemi, Francien Fons, Jolt Wiersma and Sun Ah Hwang.
The Design week was a unique opportunity to get in
touch
with the way of working and the atmosphere of the Architecture Faculty of the University of Nottingham, that was located in a beautiful park.
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Escaping Efficiency, by Maja Liro and Saartje Nibbering.
And I try to keep in
touch
with people who at some point gave me meaningful advice. We call each other once in a while and ask for counselling. I think it’s important to correspond with individuals you share similarities with.
…
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Interview: The Book and The Building, by Louis Lousberg, Koen Mulder & Christopher Clarkson.
And it’s just standing there, on a shelf, you can
touch
it, it’s just there! That and all other, very valuable things are just collected and put in a cellar and that’s it. Go there. Please go there, explore this! #TUDelft #library #books.
…
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Smooth City, by René Boer.
The notion of porosity is almost a human ambition: to be able to
touch
, be
touched
, and relate to others rather than only see yourself reflected in the smooth surfaces of the city.
…
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